Cover of Speed Without a Message

A longer excerpt · about 10 minutes

Tiko-ta

Speed Without a Message
Novel Two of the Between the Beats trilogy

Complete manuscript · planned autumn 2026

Anna’s unfinished word becomes the quiet opening through which Jan returns to time, messages and the difference between what happens and what reaches us.

Tiko-ta

The first time Anna said it, Jan was changing her.

She was ten months old, one heel in his hand, one sock gone somewhere beneath the changing table, her attention fixed on the blank corner of the ceiling where nothing, as far as Jan could tell, was happening.

“Tiko-ta,” she said.

Jan lifted his eyebrows.

Anna kicked once, pleased with the sound her own body had made in the room.

“What was that?” he asked.

She looked at him with the solemn irritation of someone interrupted at work.

“Tiko-ta,” Anna said again, softer this time, almost to herself.

From the doorway, Mila laughed.

“She’s telling you to hurry up.”

Jan looked down at the open diaper, the folded wipes, the small foot still held between his fingers.

“She is not wrong,” Mila said.

He finished the change. He fastened the clean diaper badly, corrected one tab, then the other. Their daughter rolled before he was ready. He caught her with one palm against her belly.

“No,” he said.

Anna laughed.

Mila came over and rescued the missing sock from under the table. She held it up between two fingers.

“You would lose a child if she were smaller.”

“I have not lost the child.”

“You lost twenty-five percent of her socks.”

“That is not a recognized unit.”

“It is in this house.”

Mila put the sock on the child’s foot and kissed the place above her ankle. Their daughter grabbed at Mila’s hair with both hands.

“Tiko-ta,” Anna said again.

This time Mila smiled and turned toward the small notebook on the shelf. It had a cloth cover, yellow once, now the color of something kept near milk and sleep. She opened it with one hand and wrote the sound down among the other broken words before the world repaired them.

ba for ball nuh for nurse muh for more tiko-ta

Jan watched the pen move.

It was not a word. Not exactly. Not in Czech, not in English, not in any language he knew well enough to accuse it of meaning.

Still, after Mila closed the notebook, he looked at the child longer than the moment required.

“What?” Mila asked.

“Nothing.”

Mila knew him too well to accept the answer, but she was holding a ten-month-old child by the waist and the child had just discovered that hair could be used as an argument. There were limits to inquiry.

“Come on,” she said. “Breakfast.”

Their daughter reached toward the hallway as if she had understood the agenda and approved it.

Jan followed them out carrying the abandoned sock.

A week later, he heard it again.

The crib mobile had been a gift from Mila’s mother, who had declared all modern baby toys insufficiently gentle. It turned slowly above the crib: a moon, a bear, a cloud, three felt stars, then the moon again. It played a thin version of a melody Jan half-recognized and never managed to name.

Anna lay beneath it in a blue onesie, both hands raised toward the orbiting animals. She was not trying to touch them. That was what made him stop in the doorway. She held her hands open as if conducting the small sky above her.

The moon passed.

The bear followed.

The cloud.

“Tiko-ta,” she said.

The melody clicked once inside the plastic casing and continued.

“Tiko-ta,” Anna said again.

This time she laughed after saying it, delighted not because someone had understood her, but because the sound had returned. She made it again, quieter, then louder, then once without the first syllable, then with too many.

Tiko-ta.

Tika.

Tiko-ta.

Jan stood in the doorway with a folded towel in his hands.

He did not believe his ten-month-old daughter was sending him messages from the future. That would have been easy enough to dismiss. He had been older than he should have been when he learned not to decide too quickly who was teaching whom.

The mobile turned.

The moon again.

“Tiko-ta,” she said.

Three soft beats.

Not tick-tock. Not anything so useful.

Tiko-ta.

He shifted the towel to his other hand.

Behind him, in the kitchen, Mila dropped a spoon. There was a brief argument with the drawer. Then the kettle came on.

The child kept watching the mobile.

The cloud passed over her face and left no shadow.

That night, after Anna had finally fallen asleep, Jan found the notebook.

He had not meant to look for it. He had come into the living room to clear the coffee table, because Mila’s parents were arriving in the morning and Mila had already warned him that her mother could interpret a pile of physics books as either genius or neglect depending on whether there were cups beneath them.

There were cups beneath them.

Jan carried two to the sink, came back for the books, and saw the notebook half-buried under a folded muslin cloth.

He opened it.

Mila’s handwriting moved down the page in small, practical lines. She dated things. She preserved them without ceremony. Jan had always admired that about her. She could save a word without turning it into a monument.

Near the bottom of the page was the entry.

tiko-ta

Beside it, Mila had added: changing table, then crib mobile — very pleased with herself.

Jan touched the edge of the page.

He heard the sound again.

Three beats. Soft. Almost joyful.

Tiko-ta.

He closed the notebook before Mila came back into the room.

“You found the sacred record,” she said.

Jan turned.

Mila was standing in the doorway, hair tied badly behind her head, one sleeve pushed up, the other fallen over her wrist. She looked tired in the way parents looked tired at night, stripped of drama, reduced to fact.

“I was clearing the table.”

“You were reading.”

“I was reading while clearing the table.”

“That is not a separate activity for you.”

He put the notebook down.

“She keeps saying it.”

“She keeps saying everything. Yesterday she said ‘ba’ to the lamp for twenty minutes.”

“That was different.”

Mila leaned against the doorframe. “Of course it was.”

Jan heard the warning and the affection inside the same sentence.

“I know,” he said.

“Do you?”

He smiled once. “Probably not.”

Mila came into the room and took the notebook from the table. She did not snatch it. She did not hide it from him. She only held it.

“She is not a code,” she said.

“Or a paper.”

“She is not—“

“My metaphor.”

Mila stopped.

He held her gaze.

For a moment neither of them moved.

Then Mila’s face softened, not into apology, but into the older expression she had for him, the one he never knew how to answer. It had begun after the paper, after the months when a room could go quiet around his name, after the stretch of time when Mila had answered him carefully because care was safer than forgiveness.

She had seen what he had given up. Not as theater. Not as self-punishment. Once he had understood what he believed to be true, he had been unable to choose the easier lie.

Mila did not love that about him simply.

But she understood it.

“She can teach you things,” Mila said. “That doesn’t mean she is teaching you.”

“That nod is not a promise.”

“I am trying to make it one.”

Mila placed the notebook back on the table.

“Your mother called,” she said.

Jan blinked. “Mine?”

“No, the other Czech woman who believes soup solves neurological damage.”

“What did she say?”

“She and your aunt land at four. She asked whether the baby eats properly.”

“She saw her on video yesterday.”

“She said video makes children look better fed than they are.”

Jan sighed.

“And my mother,” Mila said, “will be here before noon, which means your family and mine will have approximately four hours to decide whose method of holding a child is historically correct.”

“That seems optimistic.”

“I’m giving them lunch.”

From the nursery came a small sound, then silence.

Both of them paused.

Nothing followed.

Mila exhaled first.

The hallway stayed quiet.

“You should sleep,” she said.

“So should you.”

“I’m not the one giving a speech at MIT.”

He turned back.

The sentence entered the room and stayed there.

On the table, beneath the muslin cloth, lay the unopened envelope from MIT. It had arrived three days earlier, though the first email had come weeks before that. The official invitation was heavier than it needed to be, cream paper, black lettering, the Institute’s seal pressed deep enough that Jan had run his thumb over it before realizing what he was doing.

He was not the only person scheduled to speak.

He was the only one everyone had come to hear.

That was how Parker, his former professor, had put it on the phone, with no attempt to soften the fact.

“They want a sign,” Parker had said.

“A sign of what?”

“That the building survived you.”

Jan had not answered.

“Or that you survived the building,” Parker added.

The invitation was for commencement week, the principal address for MIT’s School of Science. Not the whole university, not exactly. Large enough that the distinction would disappear online before the first excerpt was posted. A speech to graduates. A speech about inquiry, responsibility, courage, the future of science.

Mila had read the first draft.

“It’s good,” she had said.

That was the problem.

It was good.

It said the things a man like Jan Kovač was expected to say after becoming, against his will, an example. It told young scientists to ask careful questions. It told them that institutions were necessary and dangerous. It told them that certainty was a tool, not a virtue. It told them that integrity could cost more than brilliance and was worth more when it did.

There was nothing false in it.

Only something missing.

Jan had felt the absence before he had a name for it.

Then Anna had said tiko-ta.

End of excerpt

© 2026 Ned Fielder. This excerpt may not be reproduced without permission.